Pdf !link!: Roman Ingarden The Literary Work Of Art

Words form sentences, and sentences form larger units of meaning. This layer dictates the semantic content of the work. It establishes the basic assertions, questions, and descriptions that form the cognitive framework of the narrative. III. The Stratum of Represented Objects

Before diving into the PDF’s contents, it is vital to understand the author. Roman Ingarden (1893–1970) was a Polish philosopher and a direct student of Edmund Husserl, the founder of phenomenology. However, Ingarden was no disciple; he famously broke with Husserl over the concept of idealism (the idea that reality is purely consciousness-dependent). roman ingarden the literary work of art pdf

The linguistic structure that establishes the foundational framework of the text. 2. The Layer of Meaning Units Words form sentences, and sentences form larger units

To bridge these gaps, the reader must perform an act of . Reading is not passive. The reader actively builds the world by filling in the blanks using their own experiences, memories, and cultural background. Therefore, every single reader creates a slightly different version of the book in their mind. The Polyphonic Harmony of Art However, Ingarden was no disciple; he famously broke

This is where the reader's active role becomes crucial. The act of reading is not a passive reception of pre-formed data but a dynamic, creative process. The reader, drawing on their own experiences, imagination, and aesthetic sensibility, is tasked with "filling in" these spots of indeterminacy, transforming the schematic, heteronomous work into a fully realized, concrete aesthetic experience. Ingarden calls this process . The concretization is the reader's unique, individual version of the work, which is created in the moment of reading. The literary work itself is a stable structure, but its concretizations are as varied as its readers.