: This refers to a CD that uses the DTS (DTS Surround Audio) format for surround sound. DTS is a 5.1 channel audio format that provides a high-quality audio experience similar to that of a DVD or a digital cinema presentation.
To celebrate its 30th anniversary in 2007, Jarre did something radical: rather than just remastering the old tapes, he completely .
Audiophiles extracted this multi-channel mix into a DTS-CD format—an audio CD that carries a compressed 5.1 surround sound signal instead of standard stereo. When played through a compatible DTS home theater receiver, it disperses the synthesized soundscapes completely around the room. Audio Specification Standard Stereo CD 2007 DTS-CD Master Edition 2-Channel (Left / Right) 6-Channel (5.1 Surround Sound) Bit Depth 24-bit source down-sampled Audio Engine Standard Red Book PCM Digital Theater Systems (DTS) Coherent Acoustics Spatial Effect Flat front stage Immersive, rotating synth sweeps : This refers to a CD that uses
While the "New Master Recording" is a faithful reproduction, several distinct changes set it apart:
At a time when digital software (VSTs) began dominating the industry, Jarre’s return to tactile, voltage-controlled hardware served as a masterclass in synthesis. Audiophiles extracted this multi-channel mix into a DTS-CD
The re-recording project was accompanied by a filmed performance titled "Live in Your Living Room" Jean-Michel Jarre forum Human Element
Many appreciate it as a faithful, cleaner-sounding tribute that captures the magic of the original analog synths (ARP 2600, VCS3, Mellotron) without the "hiss" of the 1970s recordings. The re-recording project was accompanied by a filmed
The total runtime of the DTS‑CD is approximately 40 minutes, which fits comfortably within the maximum 80‑minute capacity of a standard CD. The DVD also contains bonus features: a “Making‑of” documentary and a presentation of the original instruments by Jarre himself, plus three interludes (“Variation I”, “Variation II”, “Variation III”) that bridge the live performance.
Since its release in November 2007, the Oxygène: New Master Recording has become a prized item among collectors. In 2008, the UK’s Mail on Sunday newspaper distributed more than two million copies of the CD to its readers, exposing a new generation to Jarre’s music. The original 2D DVD edition (the one containing the DTS 5.1 mix) is now out of print and commands premium prices on second‑hand marketplaces – a sealed copy recently sold for £59.99.
To understand the value of this specific digital archive, one must first look at the legacy of the original composition. The 1976 Landmark
Jarre’s music is inherently spatial. Even in the 1970s, his sweeping phase effects were designed to trick the psychoacoustic perception of the listener. In the 2007 DTS-CD mix, these elements are actualized into physical space: