Yes - Close To The Edge -2013- -flac 24-192- __exclusive__ Jun 2026

Available on the Blu-ray and DVD-A physical versions, also handled by Wilson, providing a greater sense of space. Additional Content in the 2013 Series

High-resolution FLAC files allow for a much higher dynamic range and frequency response than standard CDs, which is critical for the "I Get Up, I Get Down" section’s transition from delicate pipe organ to full-band crescendo. Daily Vault The Steven Wilson Intervention

The high sample rate captures the microscopic textures of Steve Howe’s guitar work and Rick Wakeman’s Moog transients. Modern Headroom:

While the human ear cannot directly hear frequencies up to 96kHz (half of the 192kHz sampling rate), the ultra-high sampling frequency eliminates the need for harsh brickwall anti-aliasing filters during playback. This preserves phase accuracy in the high frequencies, giving acoustic cymbals, acoustic guitar transients, and the upper registers of Jon Anderson’s vocals an organic, airy, three-dimensional realism. Track-by-Track High-Resolution Analysis 1. Close to the Edge (18:43) Yes - Close To The Edge -2013- -FLAC 24-192-

When you see , you are looking at a transfer that respects the original analog master tapes at a resolution exceeding even SACD. The 2013 date is crucial: this was not a simple upsampling. It was a flat transfer from the original analog master tapes (presumably the same source as the 2003 remaster but without the limiting).

The 2013 high-resolution files typically offer three distinct ways to experience the album: Original Stereo Mix (24-192):

: A dedicated Digital-to-Analog Converter that natively decodes 24-bit/192kHz audio is essential to translate the digital bits into pure analog sound. Available on the Blu-ray and DVD-A physical versions,

Progressive rock reached its absolute pinnacle in 1972. At the center of this musical revolution was Yes, a band firing on all cylinders. Their masterpiece, Close To The Edge , redefined what rock music could achieve. Decades later, the 2013 high-resolution definitive edition—specifically the studio master transfer—stands as the ultimate way to experience this monumental album.

For those with the full physical set, the 5.1 DTS-HD Master Audio is considered a benchmark for surround sound, specifically the "I Get Up, I Get Down" section with its soaring church organ. Performance Summary

What changes when you actually listen to the 2013 FLAC 24-192 version via a good DAC (Digital-to-Analog Converter) and headphones or speakers? Everything. Modern Headroom: While the human ear cannot directly

The keyword refers specifically to a digital reissue released by Rhino Records / Warner Music Group. This was not merely a CD rip (16-bit/44.1kHz) upsampled to a higher rate. This was a legitimate high-definition transfer sourced directly from the original analog master tapes.

: Standard CDs offer 16-bit depth, yielding 96 decibels (dB) of dynamic range. 24-bit audio blows this open to 144 dB. In Close To The Edge , this allows the whisper-quiet ambient nature sounds of the intro to coexist perfectly with the sudden, explosive burst of Steve Howe’s guitar.

: The 24-bit/192kHz FLAC format is primarily used for the Original Stereo Mix , which was transferred directly from the original flat master tapes without additional equalization.

Includes the track "America" (remixed and original versions), early rough assemblies of all three album tracks, and various single edits.

Use software like Foobar2000, Roon, or VLC that handles bit-perfect playback. 🎯 Verdict: Is it Worth the Space?