Lady - Gaga Artpop Album Songs

MANiCURE injects pure, high-energy blues-rock and glam-rock into the electronic heavy album. Built around handclaps, gritty guitar riffs, and a foot-stomping rhythm, the track uses the metaphor of physical grooming and pampering to signify spiritual renewal and getting ready to catch a lover's eye. 7. Do What U Want

It is a mid-tempo R&B track focused on the resilience of the soul against media scrutiny.

Here is a closer look at the songs from the standard and deluxe editions of ARTPOP .

The lead single, "Applause," closes the album. Released in August 2013, it was Gaga’s first music post-hip surgery. The track is a synth-pop declaration of her dependence on her fans. In the famous face-off against Katy Perry’s "Roar," "Applause" held its own, peaking at number four on the Billboard Hot 100. It is Gaga stating that while others may want fame for the money or the lifestyle, she lives for the sound of clapping. lady gaga artpop album songs

What’s your favorite song from Lady Gaga’s ARTPOP? Is it the galactic romance of “Venus,” the raw pain of “Dope,” or the industrial rage of “Swine”? Share your pick and revisit the album today.

"I'm gonna wear the tie, want the power to leave you." 4. Sexxx Dreams

The Sonic Rebellion of ARTPOP: A Track-by-Track Evolution Released in 2013, Lady Gaga’s Do What U Want It is a mid-tempo

The only ballad on the record. Gaga’s vocals are raw and unpolished as she sings about the struggle with addiction and the fear of losing the person she loves.

| # | Song | Producer(s) | Key Themes & Sound | |---|------|-------------|--------------------| | 1 | | Gaga, Zedd, Infected Mushroom | A Middle Eastern-infused trap intro. The lyric “I’m not a wandering slave, I’m a woman of choice” defends her burqa-inspired performance art. A violent, sexual, rebellious opener. | | 2 | Venus | Gaga, Zedd | Disco-gospel space pop. Calls out “Goddess of Love” and “Uranus.” Features a surf-rock guitar break. Celebrates feminine cosmic power. The hook “When you touch me I die to be Venus” merges sex and mythology. | | 3 | G.U.Y. (Girl Under You) | Gaga, Zedd | Industrial house with a massive beat drop. Reverses power dynamics: a dominant woman choosing to submit. The bridge (“The queer, the strange, the crazy”) is a direct address to her marginalized fans. | | 4 | Sexxx Dreams | Gaga, DJ White Shadow | Sleek, Prince-inspired funk-pop. A confessional about fantasizing about another lover while in a relationship. Uses vocoder and whispered vocals to create intimacy. | | 5 | Jewels n’ Drugs (feat. T.I., Too $hort, Twista) | Gaga, DJ White Shadow, will.i.am | A divisive trap-hip-hop hybrid. Gaga raps. Lyrically equates drugs and luxury to desire. Often cited as the album’s weakest track but interesting for its abrasive, chaotic energy. | | 6 | MANiCURE | Gaga, DJ White Shadow | A stomping, hand-clap-driven rock-pop anthem. “I need a man who can make me mi-mi-manicure.” Deals with physical healing (post-hip surgery) and sexual frustration. | | 7 | Do What U Want (feat. R. Kelly) | Gaga, DJ White Shadow | (Note: R. Kelly version removed from streaming in 2019 due to his criminal charges; replaced with a solo version or Christina Aguilera remix.) A sleek, ‘80s-style synth-funk track. Lyrically: “My body’s not a business, it’s a temple.” Reframes media abuse as consent to power. One of her most controversial and lyrically sharp songs. | | 8 | ARTPOP | Gaga, Zedd | The title track: a progressive house manifesto. “My ARTPOP could mean anything.” Lyrics cite Jeff Koons (who created the album’s cover sculpture), Botticelli, and holograms. A celebration of artistic freedom. | | 9 | Swine | Gaga, DJ White Shadow, Zedd | Industrial dubstep rage. Written about Gaga’s experience of sexual assault (“You’re just a pig inside a human body”). The breakdown features a grinding, punishing bass drop. Live performances included vomiting on stage. Cathartic but abrasive. | | 10 | Donatella | Gaga, Zedd | A robotic, icy tribute to Donatella Versace. Satirizes the supermodel lifestyle (“I’m so rich, I’m so rich, I’m so rich”). Ironic consumption and aspirational luxury. | | 11 | Fashion! | Gaga, will.i.am | A Giorgio Moroder-style disco track. “Fashion! Put it all on me.” A lighter, more traditional pop moment about self-invention through clothes. | | 12 | Mary Jane Holland | Gaga, Zedd | A stoner electro anthem. Gaga adopts a Dutch persona to escape fame through marijuana. The line “I’ll just smoke and drink and dance until I’m not me anymore” captures the album’s escapism. | | 13 | Dope | Gaga, Rick Rubin | A stark piano ballad. Originally titled “I Wanna Be With You.” A raw admission of choosing a person over substance addiction (“I need you more than dope”). Minimal, aching, vulnerable. | | 14 | Gypsy | Gaga, Madeon | An uplifting, Madeon-produced house anthem. Celebrates a nomadic lifestyle and perpetual touring. The outro (“I don’t speak German but I can if you like”) is both silly and joyful. A tour de force live closer. | | 15 | Applause | Gaga, Zedd | The lead single. A synth-pop triumph about the symbiosis between artist and audience. “I live for the applause.” References Greek mythology (Narcissus) and performance art. A self-aware mission statement. |

A campy, spoken-word homage to Donatella Versace. Over a playful electro-beat, Gaga throws out some of the most quoted lines of her career: "I’m blonde, I’m skinny, I’m rich, and I’m a little bit of a bitch." The song parodies the shallow, wealthy socialite but does so with such confidence and wink that it became a fan-favorite celebration of luxury and self-empowerment. Released in August 2013, it was Gaga’s first

Beneath the heavy electronic production and avant-garde imagery lies a meticulously structured tracklist. Here is a comprehensive look at the songs that define the chaotic, brilliant world of ARTPOP . The Overture: Setting the Conceptual Stage

The Sonic Labyrinth of Lady Gaga’s ARTPOP : A Track-by-Track Analysis