The QUATTRO is one of the most flexible, efficient and compact lasers on the market. Many metal working companies have a large number of components to manufacture but only need to produce one or two at a time. Ease of use, plus low operating costs make the QUATTRO the ideal solution for low volumes, without forgoing precision and quality.
This machine is no longer available.
FULL ACCESS TO THE CUTTING AREA:
The three accessible sides of the QUATTRO laser facilitate sheet metal loading and unloading. Large-sized sheets which are bigger than the work area can also be processed, repositioning them manually.
COMPACT STRUCTURE:
With a footprint of just 6.4 m2, the QUATTRO is AMADA's smallest laser. The oscillator and numerical control are contained within the machine to maintain its extremely compact size.
DIVERSIFIED PROCESSING:
With the QUATTRO, not only sheet metal but rectangular and square tubes can be processed, providing even greater flexibility. (Option)
FULL ACCESS TO THE CUTTING AREA:
The three accessible sides of the QUATTRO laser facilitate sheet metal loading and unloading. Large-sized sheets which are bigger than the work area can also be processed, repositioning them manually.
COMPACT STRUCTURE:
With a footprint of just 6.4 m2, the QUATTRO is AMADA's smallest laser. The oscillator and numerical control are contained within the machine to maintain its extremely compact size.
DIVERSIFIED PROCESSING:
With the QUATTRO, not only sheet metal but rectangular and square tubes can be processed, providing even greater flexibility. (Option)
| QUATTRO | QUATTRO | |
|---|---|---|
| Laser power (W) | 1000 | 2500 |
| Machine type | CO₂ flying optic laser | CO₂ flying optic laser |
| Working range X x Y (mm) | 1250 x 1250 | 1250 x 1250 |
| Working range Z-axis (mm) | 100 | 100 |
| Table loading weight (kg) | 80 | 160 |
Material thickness (max.)*: | ||
| - Mild steel (mm) | 6 | 12 |
| - Stainless steel (mm) | 2 | 5 |
| - Aluminium (mm) | 1 | 4 |
Dimensions: | ||
| Length (mm) | 2900 | 2950 |
| Width (mm) | 2450 | 2450 |
| Height (mm) | 2160 | 2160 |
| Weight (kg) | 3750 | 4150 |
* Maximum thickness value depends on material quality and environmental conditions
Technical data can vary depending on configuration / options
Please contact us for more details and options or download our brochure
For your safe use.
Be sure to read the user manual carefully before use.
When using this product, appropriate personal protection equipment must be used.
Laser class 1 when operated in accordance to EN 60825-1
In response to complaints regarding "mesum" performances, the local government in Makassar, often in collaboration with local police (Polrestabes Makassar), has taken several actions:
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Impacts and responses
Unlike mainstream national dangdut sung in Bahasa Indonesia, Dangdut Makasar frequently uses the Makassar language or a distinct Makassarese dialect of Indonesian. This linguistic choice acts as a form of cultural preservation in an era of heavy globalization. dangdut makasar mesum
, frequently conduct raids (razia) on hotels and guest houses. These operations often result in the apprehension of numerous "unmarried couples" caught in what is locally termed "mesum" activities. Cultural Context of Dangdut
Dangdut Makasar Mesum is known for its infectious beats, catchy melodies, and romantic lyrics. The genre typically features a combination of traditional instruments, such as the sape (a traditional stringed instrument) and the gendang (a type of drum), with modern electronic elements. The tempo is often upbeat, with a tempo range of 100-120 BPM. The lyrics, which often focus on themes of love, longing, and intimacy, are typically sung in Makassarese or Bugis, adding to the genre's unique cultural flavor.
, performances that display "erotic movements" or nudity in public can lead to criminal charges. Local authorities in Makassar have occasionally: Issued Bans Can’t copy the link right now
Lyrically, it diverges from the generic love songs often heard on national radio. Dangdut Makassar is gritty and grounded. It sings of life in the "City of Winds" (Makassar), tackling subjects ranging from the struggles of the working class to the complexities of romance in a traditional society.
Costumes that are deemed too revealing by local community standards. The Cultural and Social Context in Makassar
During the pandemic, live-streamed Dangdut Makassar on YouTube and Facebook became a lifeline. However, it also exposed performers to online moral harassment and platform censorship (e.g., videos removed for “suggestive dancing” while male preachers saying worse things remain). This linguistic choice acts as a form of
"Dangdut Makasar Mesum" refers to a controversial subgenre/phrase circulating in Indonesian popular culture combining three elements: dangdut (a popular Indonesian music genre), Makassar (a city in South Sulawesi with its own regional cultural markers), and the Indonesian word "mesum" (meaning lewd, indecent, or pornographic). The phrase typically appears in discussions, headlines, or social media when dangdut performances or videos associated with Makassar-style performers are criticized for sexually explicit lyrics, provocative choreography, or sensational visual content.
To understand the social weight of dangdut Makasar, one must first understand its sound. Traditional Indonesian dangdut, which originated in the mid-20th century, heavily draws from Hindustani, Malay, and Arabic musical styles, anchored by the iconic dang and dut sounds of the double-headed drum ( kendang ).
The most persistent social issue surrounding Dangdut Makassar is the clash between public piety and private desire. Makassar is known as the “City of Da’wah,” a stronghold of conservative Islam. Yet Dangdut Makassar’s erotic performances thrive here. This contradiction exposes a deep-seated social hypocrisy. Local governments and Islamic groups periodically raid performances, ban goyang movements, or demand singers wear hijab . However, these same authorities often tolerate—or secretly sponsor—shows for political campaigns, recognizing the genre’s immense popularity among working-class voters.
Why it matters
